Tousif Raza
Poetry has always been a powerful medium for expressing devotion, especially in Islamic literature, where naatiya poetry holds a revered place. Dr. Darakhshaan Andrabi’s poem “Ya Muhammad (PBUH)” is a deeply spiritual and historical reflection on the transformative influence of Prophet Muhammad (PBUH). It not only impressed me but touched my heart to create a rhythm and emerged as an elucidation. Through evocative imagery and profound themes, the poetess conveys the longing for the Prophet’s( AS) guidance and the universal impact of His teachings. I will try to analyze the poem’s themes, symbolism, and aesthetic depth while exploring its mystical undertones. Before moving ahead, let’s read the poem in English.
Oh Muhammad (PBUH )
Written: Dr Darkhshaan Andrabi
Transliteration: Tousif Raza
I am a girl,
Enveloped in the bust of Arab,
Much afraid
Ensnared in the depths of whispered thoughts,
If I am brought forth, they would be cast in darkness,
Come forth, O Muhammad,
Bring the radiance,
So that upon my birth,
I may be embraced by the benevolence of your grace.
A wanderer from Ajam,
Towards the Arab deserts,
Adorned in worn-out attire,
Empty-handed,
But carrying a glimmer of hope in my heart,
Oh, if only the King of Arab would grant me a glimpse,
I would be blessed with His divine light,
I would ascend the heights of mystery,
Witnessing every aspect of His noble character,
I would die while I live
And conquering death.
Elucidation of the Poem
Let me start by saying that Dr. Andrabi’s poem presents two distinct yet interconnected perspectives—first, that of a girl trapped in the oppressive darkness of pre-Islamic Arabia, and second, that of a wanderer from foreign lands seeking the Prophet’s light. In the first stanza, the poet highlights the tragic condition of women before Islam. A young girl, symbolizing the oppressed women of that era, expresses her fear of being discarded by society. The phrase “ensnared in the depths of whispered thoughts” captures the silent suffering of women who were deemed unworthy of life. The girl’s plea to the Prophet reflects the historical reality that his teachings liberated women, granting them dignity and rights. His arrival marked the end of oppressive traditions, bringing the radiance of justice and compassion.
The second stanza shifts to the perspective of a seeker from Ajam (non-Arab lands) who embarks on a journey toward Arabia. This wanderer, though materially poor, carries an unshaken hope of spiritual fulfillment. The simple yet powerful imagery of “worn-out attire” and “empty hands” suggests humility, while the longing for a “glimpse of the King of Arab” symbolizes the soul’s deep yearning for divine connection. The seeker’s desire to “die while living” is a clear allusion to the Sufi concept of fana—self-annihilation in the love of the divine.
Critical Analysis
Understanding The Theme of Enlightenment and Transformation
A central motif in the poem is the contrast between darkness (ignorance, oppression) and light (guidance, mercy). The Prophet is portrayed as a source of illumination who rescues humanity from despair. This theme resonates strongly with historical events, particularly in the way Islam uplifted the status of marginalized communities, including women.
Mystical Undertones and Sufi Influence
The poem carries a deep sense of spiritual longing, characteristic of Sufi poetry. The seeker’s journey mirrors the inner quest of a Sufi disciple yearning for divine proximity. The idea of “witnessing every aspect of His noble character” suggests that true enlightenment comes from understanding and embodying the Prophet’s teachings.
Universalism in Islamic Teachings
By introducing a non-Arab traveler, the poetess emphasizes that the Prophet’s message is not confined to one people or region. The seeker from Ajam represents all those who, regardless of background, find solace and guidance in the Prophet’s teachings. This aligns with the Quranic verse: “And We have not sent you, [O Muhammad], except as a mercy to the worlds” (Quran 21:107).
Symbolism and Imagery In the Poem
Dr. Andrabi masterfully employs symbolism to enhance the poem’s emotional depth. The “bust of Arab” represents the societal constraints of pre-Islamic times, while “depths of whispered thoughts” evoke the silent fears of the oppressed. The “King of Arab” signifies not only the Prophet’s political leadership but also his spiritual authority.
Aesthetic Exploration
Simple Yet Profound Language
One of the poem’s strengths lies in its accessibility. The verses are straightforward, yet they carry layers of meaning, making them equally appealing to general readers and literary critics.
Fusion of History and Spirituality
The poet seamlessly weaves historical grievances with personal longing, making the poem both a historical reflection and a spiritual supplication. The transformation of women’s status, the journey of the seeker, and the Prophet’s role as a beacon of mercy all merge into a timeless narrative.
Mystical Realism
The poem’s emotional depth is heightened by its mystical elements. The seeker’s plea for one glimpse of the Prophet reflects the Sufi belief that even a moment of divine presence can lead to eternal enlightenment. The final lines—”I would die while I live / And conquering death”—suggest that true life is found in spiritual awakening, a concept central to Islamic mysticism.
Conclusion
Dr. Darakhshaan Andrabi’s “Ya Muhammad (PBUH)” is more than just a poem—it is a heartfelt invocation, a historical reflection, and a spiritual journey. By portraying both a helpless girl and a hopeful wanderer, the poet illustrates the transformative power of the Prophet’s teachings. The poem’s universal message of enlightenment, justice, and divine love makes it relevant not only to Islamic literature but also to a broader humanistic discourse. As a piece worthy of publication in a daily newspaper, this poem speaks to the modern world’s need for spiritual guidance and justice. It reminds readers that the Prophet Muhammad’s (PBUH) legacy continues to shine, offering hope to those who seek it—whether they are lost in the darkness of oppression or wandering in search of divine truth.
(The author is an English literature student and hails from Tangmarg and can be reached at tousifeqbal555@gmail.com)